Friday, 11 February 2011

Royal Thunder - S/T (2010)


Scene: A living room somewhere in Georgia, USA.

Camera P.O.V shot, tracks left to right showing
generic actors playing Father, Mother and Teenager.

Son: "Mom - Pop, I'm gonna form a band!"

Dad: "You don't know how long I have waited
for you to do this, Georgia has a long and proud
tradition of producing kiss-ass music"

Mum: "This is the proudest day of my life - will it
sound like Baroness?"

Son: "Er, not quite - I was thinking more of Dub-step
with a trip-hop vibe"

Dad: "Sounding like Kylesa?"

Son: "I wanted to try something without guitars"

Mum: "Sounding like Mastodon?"

Son: "NO! Not like Blacktusk either. Just because
we live in Georgia does not mean I have to sound
bone-crushingly heavy!"

Mom: "This is the saddest day of my life"

Dad: "Get out of my house. From this day on, I
have no son. You have brought shame to our
family. You are dead to me"!

Camera fades to black - cue credits.

Royal Thunder are from ........ guess where? .....
Georgia and have produced a 6 track EP of rumbling
stoner doom. More Kyuss than Kylesa, this band have
a great doom vibe with stunning female vocals but veer
more into the stoner side of things rather than the sludge
of any of the afore mentioned artists.

This is just their 1st release - when the album comes out
it should be a stonker.

Thursday, 10 February 2011

Miles Davis - Guitar Tracks



Just a compilation with some great guitar
work playing with Miles.

They go from Funky to Ambient to just a
bit abstract noodles.

Tracklist:
Fat Time - The Man with the Horn
Intro - Aura
Come Get It - Star People
Orange - Aura
Speak - Star People
Violet - Aura
Tatu (Part 1)- Dark Magus
Star People - Star People

Wednesday, 9 February 2011

Part Chimp - Chart Pimp (2003)



Some brilliant post-punk noise rock.

Lots of distortion, with a thick sludgy sound that
batters you. Subtle it is not - these songs attack
with changing riffs, yelped vocals and you always
get the feeling that everything was recorded with
the needles in the red!

None of the tracks outstay their welcome and
the songs have enough variation to make you
keep on playing this again and again.

If you like Jesus Lizard, give this a go.

Tuesday, 8 February 2011

Kowloon Walled City - Gambling On The Richter Scale (2009)




















Last of the Re-posts lost by rapidshare.

I know a lot of people had been
wetting themselves over the
new Dillinger Escape Plan album
but to my ears it does not touch
Kowloon Walled City's sludgy,
bare-knuckled destruction.

Huge monster riffs, thunderous
hardcore vocals make this
crushingly good.

You can download this album and
other stuff for free at their website:
http://inthewalledcity.com.music

Camel - Gods of Light ('73-'75)



English Prog rock from England.

They never reached the heights of Yes, Genesis etc
but produced sometimes ambient, sometimes space
rock guitar workouts over many albums.

Soaring clean solos with keyboards and flute and
the odd vocal passage, these live selections give
a good indication of their sound.

After 1976, I find them a bit bland and soft sounding
but this has five extended tracks with some magical
guitar work.

Monday, 7 February 2011

Pixies - Doolittle (1989)



If Man is five
And the Devil is six
Than God is SEVEN.

Sun blissed backing vocals over frenzied singing
and shouting. Surf-punk tunes tumbling into
pop singalongs which burst into hardcore riffs.

Debaser, Wave of Mutilation, Monkey Gone to
Heaven, There Goes My Gun, Gouge Away - a lot
of bands would be pleased to have these songs
over a career, let alone from one album.

I missed out on the "Surfer Rosa" and "Come On
Pilgrim" albums and like a lot of people only
became aware of the Pixies when I first heard "Monkey".

I played it over and over again - not a duff song on it
and the whole thing played as a perfect set.

And yes, it was good seeing them play it all live
last year.

Friday, 4 February 2011

uSSSy - Oko (2010)



In the same vein as Lightning Bolt, these Russian
guys are playing some fucked up instrumental
noise rock.

A bit more tuneful perhaps but still a dense wall
of sound that assaults the senses with feedback
guitar, heavy bass and pounding drums.

The more I play it, the more I doubt my ears -
am I hearing subtle riffs behind the background
chaos or is the sheer fuzziness and distortion
that is confusing me?

There are also elements of eastern scales and
some sort of ethnic stringed instrument that drifts
in and out that sounds like snippets from the
soundtrack of "Doctor Zhivago"

Thursday, 3 February 2011

At The Drive In - Live (2000)



I got this a while ago from Symphony of Ghosts,
a very cool blog which has loads of live recordings -
check it out and say hi.

This has At The Drive In attacking the senses with
virtually the whole of "Relationship of Command"
being played live.

The volume needs to be cranked up a bit but it is
an excellent recording, really clear and powerful
and shows why at that time they gained the reputation
of being a fantastic live band.

Wednesday, 2 February 2011

The Ghost of a Thousand - New Hopes, New Demonstrations (2009)



I thought I had put this up ages ago.

Along with Blackhole, Goes Cube and Disappearer,
all these bands have released brilliant albums of
hardcore / punk that I could not stop playing.

If you liked recent stuff by Phantom Glue, Git Some
and even some Coliseum, give this a go.

Tuesday, 1 February 2011

Siouxsie & The Banshees - The Scream (1978)


Debut album from The Banshees.

Bootlegs from some John Peel sessions had been
doing the rounds to keep us going until someone
put out their proper release.

Post-punk song arrangements topped with the
icy voice of Siouxsie, VU type minimal drum
patterns, saxaphone riffs, picked and strummed
minor guitar chords did the trick nicely.

This still remains an album that holds up pretty
well today.