Showing posts with label screamo. Show all posts
Showing posts with label screamo. Show all posts

Wednesday, 20 November 2013

Death Mercedes - Sans Éclat

French screamo/post-hardcore released by the always excellent
Throatruiner records.


Death Mercedes draw upon the obvious template of loud/quiet
but with far more superior results than their fellow bands.

The song writing talents on show soar and peak, with a breakneck
speed that promises anger and passion in equal measures. 

The guitars are a joy to listen to - shimmering riffs of distortion,
shifting time scales and locking in with the vocals to produce
moments of sparse beauty among the aggression.

In under half an hour, Death Mercedes give you a triumph of
hard hitting poems set to a sonic wall of spite which deserves
to propel them further into the underground psyche.

Wednesday, 13 February 2013

Burning Bright - Domesday

Band Request from North Cult Records - a new label
started by Benou from the great French band Direwolves.


With Burning Bright, Benou has hit the ground running - if this
is the quality of music he plans to keep on releasing, I cannot wait
to see what  comes next.

Burning Bright have members from Amanda Woodward and Aussitot
Mort (who I loved) and play a mix of hardcore/crust/screamo.

The songs are epic and massive sounding with filthy guitar riffs
that actually have tunes to them rather than a blanket of identical
tracks that blend into one sludgey mess. Great burts of solos are threaded
behind the powerful rhythm section which retain their brutal sound
thanks to an excellent production job.

The vocals are emotionally charged with passion but it is the
little details that make this record stand out - the sparse plaintive
guitar chords ringing out with distant reverbed vocalst in "Kalopsia"
or the horns/keyboard/samples at the end of "Dreamcatchers".

Highly fucking recommended!

Name your price at Bandcamp

Monday, 22 October 2012

Interlude - A la Deriva

Band request from Impure Muzik.

Interlude play post-hardcore/screamo with a real epic feel
to their songs. Hailing from Spain, these guys sing in their mother
tongue, meaning I have no idea what the lyrical content is but
from the passion displayed, it means a lot to the singer.


They have a powerful sound with a real flair for melodic flourishes
that drive these intense and atmospheric songs. There are some
instrumental passages in which the guitars invoke post-rock/
mathy leads but with a lot more distortion. Very much like
"We Had A Deal', I like this a lot and would recommend this
to anyone into this kinda thing.

Name your price at Bandcamp

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Wednesday, 26 September 2012

We Had A Deal - Interview

Last month I posted a review of the new album
by We Had A Deal - Here and was blown away by the
passionate songs which were played with aggression and
fused post-hardcore with 90's screamo.

I am pleased to say that the band have taken time out from
their busy schedules to give me an interview.  


Who is in the band and how did you get together? 

We Had A Deal is Uli on guitar, Serkan on bass, Sascha on drums and me, Micha doing the vocals. Basically the band was founded by our first drummer. We both had been friends for years before that. He asked a guy he knew from school and me to form this band together. After the line-up was completed a crappy first demo was recorded, new songs were written, a second (hopefully better) demo/EP was recorded and so on. The name “We Had A Deal” was chosen referring to an Onelinedrawing-song on a Jade-Tree-Records-Compilation we used to listen to in our first rehearsal room. Unfortunately I can’t tell you more about the Spinal-Tap-moments we had (and there were plenty of them) because there’s this contract we signed, and you know how the Secret Service works. 



Is there a big hardcore/screamo scene in Germany or is it pretty underground? 

To be honest: We couldn’t say. There seems to be a growing attention but we don’t feel capable to speak for the whole complex or “scene”. It’s impossible to speak in general terms (only seeing the places we play or attend shows at). So far, we played in great places with awesome bands and we like the involved people a lot. What we experienced is that on the one hand there are lots of amazing people who put a lot of effort, time and (as cliché as it may sound) passion into setting up DIY-shows. On the other hand at other places there is a business-like attitude and reproduction of market structures we don’t feel comfortable with. Same goes with releasing records. So you could say it’s a bit of both. 


Do you have to put on your own gigs or are there plenty of places to play? 

Unfortunately we don’t put on our own gigs besides tiny shows in our rehearsal room which we’ll try to do more often. The number of places to play really depends on the region. All in all there’s a certain amount of places to play in Germany but we lack the experience to compare this situation to other countries. Unfortunately there seem to be not many house-shows and alike here. Or at least we haven’t played any, yet. So if you’re reading this and want us to play in your living-room, backyard, attic or whatever, please contact us! 



What has the general reaction been to “Dialectics” - I have seen some really good reviews on the web, Has this album helped in getting people along to see you play and getting gigs? 

Most reviews and reactions are extremely positive so far and we’re thankful that people spend time and energy in reviewing this album. We’re pretty amazed up to this point. A lot of the songs were part of our live-set way before we recorded them so no one knew them then. But now there are people actually knowing the words and singing along, which is awesome and always gives me shivers down my spine. So yes, it seems the record allured people to come to shows and we couldn’t be happier about that.

 


The production really captures the power of the songs and sounds pretty live - any secrets to recording your sound? 

“Dialectics” was recorded by Daniel Wied in his room at the basement of his parent’s house with the main idea of making it sound as much as a live-recording as possible and to use as little digital-soundboost-tools as possible. He and Daniel Steinwedel, who mastered the songs, put a lot of effort in this project and we’re really grateful for that. I guess, they never told me the real “secrets”. But they sure did spend a lot of time with every single instrument, fiddling around with different set-ups and improving the sound.…..and it worked. 


Your album is pay what you want - do you find places like Bandcamp are able to get your music out to a much wider audience than just gigs and friends? 

We favor the idea of making our songs easily accessible to everyone. Online-streaming-sites are very helpful in this crusade and since the giant evil octopus a.k.a. internet has a wider reach than we have it’s also a friend in need. 

The labels, which helped to release “Dialectics”, were all idealistic enough to let us give away the record for free and digitalkunstrasen.net made a stable free download possible (http://www.digitalkunstrasen.net/Homepage/DKA114.html). Many thanks to all of them. So if someone decides to let us play or to come to a show or to buy the 12inch or she/he discovers one of the labels through streaming/downloading the album or donates some money via bandcamp because she/he likes our songs that’s all we could ask for. Perhaps free downloads can be idealistically seen as a promotion that’ll eventually get people to buy records, come to shows and support labels/bands. Others might see it as the root of all evil. We chose the hippyesque point of view.
 


Are there any bands in Germany that other readers may not of heard of before that we should check out?

Yes, there are and we take this chance to advertise the following (in no particular order): 

The Tidal Sleep (http://de-de.facebook.com/thetidalsleep)
Kosslowski (http://kosslowski.tumblr.com/)
Continents (http://de-de.facebook.com/wearecontinents)
I Refuse (http://irefuse.jimdo.com/)
Willy Fog (http://www.facebook.com/Willyfogband) 

Cannon For Cordoba (http://www.facebook.com/cannonforcordoba) 

MNMNTS (http://www.facebook.com/mnmntspunk) 

An Early Cascade (http://www.facebook.com/anearlycascade) 
Ende/Aus (http://www.facebook.com/pages/EndeAus/256283142178) 

Patsy O’Hara (http://patsyoharapunks.tumblr.com/) 

Hell&Back (http://www.facebook.com/hellandbackpunkrock) 

Reznik Syndrom (http://www.rezniksyndrom.de/) 

Mahlstrom (http://www.facebook.com/mahlstrommusik) 

There’re a lot more I forgot to mention here. 

And another advertisement: If you like the “Dialectics”-artwork you’ll probably be interested in visiting http://schwarzerrand.tumblr.com/ and in downloading this zine: http://www.mediafire.com/?2ksbieviey66u3d 

What does the future hold for you? 

There will be a further release in 2013 and some shows until then. But while I’m writing this there’s this cold hand on my shoulder and a deep voice telling me: “Thou shall not spread uncertain things to come before everything’s ready”. An order I have to follow….. 


Thanks for your support and for this interview. 

WE HAD A DEAL 

wehadadeal@gmx.de 




Thanks to Micha and the boys for putting up with my rambling questions!




Thursday, 20 September 2012

Direwolves - Me From Myself, to Banish

The latest release from the always impressive Throatruiner
Records are the Direwolves. 6 tracks of heavy hardcore crossed
with crust and screamo make this a ferocious beast that wants to
track you down and tear your face off.

Fantastic production makes sure that every riff and scream comes
out crystal clear but still captures the awesome power of the music.

I have being playing this non-stop today and have come to the
conclusion that this could be one of my favourite hardcore
records of the year so far.

Highly recommended!



Bio: "Hailing from Lorient (western France), DIREWOLVES merge modern hardcore, crust and screamo on their debut EP "Me From Myself, To Banish". Recorded by producer/sound engineer Amaury Sauvé at La Senelle, these six songs find the perfect balance between emotion and heaviness, reminding of bands such as Alpinist, Lewd Acts or Killing The Dream. After a self-released demo last year, the Wolves confirm their huge potential - don't sleep on them!" 

released 15 October 2012 
• Recorded by Amaury Sauvé ~ amaurysauve.tumblr.com
• Mastered by Sylvain Biguet 
• Artwork by Fortifem ~ fortifem.fr
• 12"EP limited to 500 copies on clear vinyl

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Friday, 24 August 2012

We Had A Deal - Dialectics

Band request from Germany

After one LP and 2 EP's, We Had A Deal release their new
album which has a conceptual theme dealing with (as far
as I can make out) relationships, loss and loneliness.
The songs are split up into movements and broken up with
quieter passages that bring a stillness before the main tracks 
blast along. These are passionate songs, played 
with aggression and fuse post-hardcore with 90's screamo.


This album took me by surprise with its complexity and maturity - 
if you want your punk thrills with intelligence, look no further.
Spread the word with this one as it deserves a big audience.

Because they are good guys, download for free -